RIVA DEI SETTE MARTIRI VENEZIA 3012
140 SHORT FILMS > 140 ARTISTS
Gavin Turk, Jessica Voorsanger, Sarah Sparkes, Fiona Banner, Cedric Christie, John Plowman, Spizz Energi, Lee Maelzer, Danny Pockets, Martin Creed, Ray Gange, Sarah Pager, Toni Gallagher, Jake & Dinos Chapman, Liz Sheridan, Julian Firth, Geraldine Swayne, SHUBY, Rebecca Scott, Pascal Rousson, Kerry Baldry Graham Tunnadine, Lauren Heckler and many more.
Empire II is an artist led project designed for forthcoming 57th La Biennale di Venezia.
Empire II are focused on creating a dedicated cinema hub space for artists and makers which will contain 3 separate areas and remain functional over a designated period of 7 months.
Room 1; Lounge/library as a quiet ambient reading area and a chill out zone + Room 2; movie screening space playing a selection of short art house lms specially created for this occasion and programmed on a continuous loop + Room 3; an immersive VR gaming space evolving as a spontaneous separate augmented reality point.
Exhibition will follow with a 160 page limited edition catalogue. We will host a number of intermediate events during our stay with and including participating artists and makers in form of presentations, talks and group discussions related to making and associated topics.
Overlap – relationships, reputation and legacy of women artists
Saturday June 3, 2017 (11.30-12.30pm), Studio, Jerwood Hastings
Curators Day+Gluckman, authors of A Woman’s Place Project, will be in conversation with artist Jessica Voorsanger and Tate curator and art historian Carol Jacobi to discuss the complex relationship of a woman artist to her personal biography and relationships. As two Jerwood exhibitions of women artists overlap, that of Jean Cooke and Eileen Agar, the panel will have an honest and frank conversation about the legacy of women artists and how their art is often overlooked in favour of their relationships to male artists.
Jessica Voorsanger’s art practice looks at the construct of self, often through humorous installations or performances to unpick popular and celebrity culture. Voorsanger has exhibited extensively internationally, and she also happens to be married to Patrick Brill (AKA the artist Bob+Roberta Smith).
Carol Jacobi is Curator, British Art 1850–1915 at Tate. Her research is centred on nineteenth- and twentieth-century British painting, sculpture and photography. She has backgrounds in science and literature, preferring an interdisciplinary approach, and has a long term commitment to challenging the canon and looking at the legacy of overlooked women artists.
A Woman’s Place is a contemporary arts, heritage and education project where female equality provides the contextual backbone. A two year programme rolls out across the South East in 2017. The project is funded by the National Lottery through Arts Council England, The National Trust and South East partners. Other events across SE venues can be found at www.dayandgluckman.co.uk and significant new commissions at Knole House (National Trust), Sevenoaks, Kent in 2018.£10 (£8 for Jerwood Gallery Members)
For further information and to book tickets please click here Image: Jessica Voorsanger, Claude Monet, from The Bald Series, 2013 by Jessica Voorsanger at Liberties exhibition 2016
Tate Modern has had a long running film club, which over the past 10 years (+) has successfully explored themes surrounding London and its environs in relation to Tate. Initially created as a way to interact positively with the community, the group’s success has grown in audience and subject. As Tate embarks on a ‘new’ Tate with the opening of the extension in May 2016 this is the opportunity for the film club to also reinvent itself. For this initial start to the new season of film club viewings – Jessica Voorsanger has been commissioned to show 3 interlinked immersive film events exploring artists and their lives through the film sub genre of ‘docudramas’ also known as ‘biopics.’ Focusing on artists that have either shown or are in the collection of Tate. This will mark the bringing together of Tate Modern’s Film Club and Tate Britain’s Soapbox to work together to co-create events that engage with film (and their audiences) in alternative ways.
The 3 events will explore the ideas surrounding Secrets & Lies (the title being a reference to the Mike Leigh film of the same name). There will be 3 events (27 March, 22 May & 31 July 2017). These events will each explore the concept of the life (and/or culture) of one/or many artist(s) in three distinct ways. As through storytelling, especially within a ‘Hollywood’ drama scenario, the question of how much is actually true in the depiction of real life? Is anything exaggerated to make the story more engaging? As with documentaries, which we generally view as ‘truth’ can give a biased view of the director through the selection of interviewees and editing.
The1st event featured Frida Kahlo. The Salma Hayek film ‘Frida’ was aired. Aside from the film showing there was a quiz with questions associated with Frida Kahlo. The audience members were each given a ‘lucky bag’ which comprised of the elements to ‘dress up as Frida’ and a bespoke newspaper for the event. This first event was focussing on the ‘biopic’.
The 2nd event featured Pablo Picasso. The were three films aired: ‘Trimming Picasso’ (a docudrama by filmmaker Tim Newton), ‘Meeting Picasso’ (a documentary by filmmaker Tim Newton), and ‘Surviving Picasso’ (a docudrama starring Anthony Hopkins, the full feature was not aired). Aside from the films being shown there was an ‘In conversation’ between the filmmaker Tim Newton and Jessica Voorsanger. There was a quiz with questions associated with Frida Kahlo. The audience members were each given a ‘lucky bag’ which comprised of the elements to ‘dress up as a Picasso Cubist painting’ and a bespoke newspaper for the event. This second event was focussing on the differences between the biopic and the documentary.
The 3rd event will feature Peggy Guggenheim. The documentary ‘Peggy Guggenheim” Art Addict ‘will be shown. The focus of this event will be on documentaries. This event will take place in late July 2017.
The Trouble with Tribbles (named after the icon episode of Star Trek Original Series), was an interactive immersive experience offered at The Art Car Boot Fair, 2010. The participants were invited to experience the unleashing of zillions of ‘tribbles’ being poured on their heads, as Captain Kirk did in the episode aired in the 1960’s.
Jessica Voorsanger is the lead vocalist for the Apathy Band. The band recently released it’s first LP featuring Bob and Roberta Smith, Jessica Voorsanger, Leonardo Ulian, George Lionel Barker, George Cleghorn & Calvin Tsai in 2016.
The band is the brainchild of contemporary artist Bob and Roberta Smith. The band has had many incarnations but this version has the experimental funk fusion sounds that George Cleghorn brings with saxophone, Calvin Tsai brings with his guitar, George Lionel Barker (also known from The Fucks) on piano, Leonardo Ulian on the Theremin and Jessica Voorsanger on spoken word.
The LP is available to buy on eBay while stocks last. The ‘A’ side of the LP is Bob and Roberta reading the text from his painting Letter to Michael Gove (as seen at The Royal Academy), his protest at the Conservative Party’s reconfiguring of secondary education which has had a detrimental effect on arts and humanities education. The ‘B’ side is the band performing their musical interventions.
Jessica Voorsanger’s solo exhibition Live Long and Prosper at Work Gallery, 10A Acton Street, London WC1X 9NG from 21st July – 16th September 2016. There was also an ‘In Conversation’ with Jean Wainwright at the closing event on 14th September 2016.
In Live Long and Prosper, Jessica Voorsanger is presenting a new series of paintings in which she imagines the paintings she would make if she were artist-in-residence on The Starship Enterprise.
Voorsanger’s established practice exploring issues surrounding popular culture and celebrity takes a radical departure in this new series of paintings juxtaposing vintage fabrics with toxic and vibrant colours. She refers to them as ‘painted collages’. The faded, patterned vintage fabrics in contrast with the vibrant poured and dripped paint locate the work in its questioning of what a sci-fi utopian future could hold.
Jessica: Oh hello Captain Kirk! What do you think of my new paintings?
Captain Kirk: Fantastic!
Mr.Spock: This cacophanous colour is not logical.
Jessica: Actually, I think you will find Mr.Spock that the melding of the patterned fabrics are indicative of the time period in which they exist. The bright poured and dripped paint is a reaction to what the potential futures could be.